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一读），西方博物馆沿用了这套旧音拼写。本站把标题按今音写作\"鼎\"，检索时两种写法都能命中。\n\n## 与另外两只鼎对照\n\n本站另有[克利夫兰藏的商代青铜鼎](\u002Fartifacts\u002Fshang-ding)与[分裆鼎（鬲鼎）](\u002Fartifacts\u002Fshang-liding)。三只并排看，最要紧的分别是袋足与柱足：鬲鼎的足做成中空的袋状，为了多受热；这件圆鼎的足是细长的柱状，受热靠的是薄壁的腹部。器形差异背后是炊煮方式的差异。\n\n## 模型是怎么来的\n\n原始扫描 6.4 万面，减面到 4.3 万后 Draco 压缩，最终 0.31MB——是四件里最小的。纹饰带上的细阴刻线在减面中损失最多，如果只想看清兽面纹，请看[西周青铜尊](\u002Fartifacts\u002Fmia-zun)，那件没有减过面。\n\n> 三维模型与渲染图来自明尼阿波利斯艺术博物馆开放扫描（CC0，经减面与 Draco\u002FWebP 压缩）；中文说明由本站按公开资料整理。",{"en":252,"zh":253},"Ding Cauldron","青铜鼎（商代晚期）",{"alt":255,"src":257,"width":119,"height":120,"source":258,"caption":260},{"zh":256},"商代晚期青铜圆鼎的三维扫描渲染图，双立耳、垂腹、三柱足","models\u002Fmia-ting-poster.jpg",{"url":259,"note":123,"license":21,"provider":124,"replaceBeforeLaunch":99},"https:\u002F\u002Fcollections.artsmia.org\u002Fart\u002F2388",{"zh":126},{"src":262,"poster":257,"source":263,"triangles":265},"models\u002Fmia-ting.glb",{"url":259,"note":264,"license":21,"provider":124,"replaceBeforeLaunch":23},"原始扫描 6.4 万面，本站减面至 4.3 万并做 Draco 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世纪",{"id":317,"slug":136,"status":7,"body":318,"name":319,"cover":322,"model":329,"museum":132,"dynasty":133,"related":334,"summary":337,"altNames":339,"category":67,"featured":23,"hotspots":342,"material":369,"dateLabel":370,"materialType":75,"created_at":41,"updated_at":187},7,"## 为什么这件能转\n\n明尼阿波利斯艺术博物馆把一批商周青铜器做了摄影测量扫描，以 CC0 发布在自家 Sketchfab 账号 `artsmia` 上。这件尊的原始模型 1.6 万面，是四件里唯一不必减面就达到交互要求的，所以纹饰的起伏保留得最完整。\n\n## 看轮廓，不要看纹饰细节\n\n扫描精度不足以读清铭文，但器形轮廓是可靠的。判断尊的年代，先转圈看三个比例：敞口张开的角度、腹部最鼓点的高低、圈足占通高的比重。这三项的变化比纹饰名称更能说明问题。\n\n## 与同组器物对照\n\n本站另有[克利夫兰藏西周青铜尊](\u002Fartifacts\u002Fxizhou-fuwu-zun)与[西周觚](\u002Fartifacts\u002Fxizhou-gu)。尊、觚在商周墓葬里几乎总是成对出现——一个盛酒，一个饮酒。\n\n> 三维模型与渲染图来自明尼阿波利斯艺术博物馆开放扫描（CC0，经 Draco\u002FWebP 压缩）；中文说明由本站按公开资料整理。",{"en":320,"zh":321},"Zun Wine 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纹理",16348,[335,336,209],"xizhou-fuwu-zun","xizhou-gu",{"zh":338},"盛酒器。喇叭形敞口、鼓腹、高圈足，是商末周初尊的标准轮廓。这件是本站第一批可交互查看的真文物三维扫描。",[340],{"zh":341},"尊",[343,352,361],{"id":145,"text":344,"title":346,"position":348},{"zh":345},"口沿外侈成喇叭状，越到西周敞得越开。转动模型看口沿的厚度变化——铸造时这一段用的泥范最薄，也最容易在埋藏中变形。",{"zh":347},"喇叭形敞口",[349,350,351],0.11,0.4,0.02,{"id":165,"text":353,"title":355,"position":357},{"zh":354},"腹最鼓处偏上，纹饰以扉棱为中线左右对称展开。把模型转到侧面，注意纹饰带在扉棱处断开，这是分范铸造留下的痕迹。",{"zh":356},"腹部与兽面纹",[358,359,360],0.093,0.22,0.002,{"id":175,"text":362,"title":364,"position":365},{"zh":363},"圈足越高，年代越偏西周早期。商代同类器的足相对矮一些，足上的纹饰层数也更少。",{"zh":179},[366,367,368],0.12,0.05,0.01,{"zh":75},{"zh":186},{"id":372,"slug":30,"status":7,"body":373,"hall":374,"name":375,"cover":378,"museum":63,"dynasty":386,"related":387,"summary":388,"altNames":390,"category":393,"featured":99,"material":394,"accession":396,"dateLabel":397,"dimensions":399,"materialType":400,"created_at":41,"updated_at":42},8,"## 看一匹马的张力\n\n马被系在桩上，头却往反方向拧。画家用一根立柱和一条缰绳，把一个\"想走不能走\"的状态钉住了——唐代画马的价值就在这里，它画的是御厩里被豢养的力量。\n\n## 为什么这幅画的\"空白\"很多\n\n手卷上除了马，其余位置被历代题字与印章填满。这些文字不是破坏，而是它流传史的一部分：每一方印都记录过一次收藏交接。看中国书画时，**题跋与印章本身就是要读的内容**，不能当噪声跳过。\n\n## 在本站怎么呈现\n\n画心尺寸极小（30.8 × 34 厘米），要看出鬃毛与肌理的笔法必须放大。它因此是本站\"OSS 现取高清档位\"最直接的验证对象——同一张原图，列表页取 320px、详情页取 1800px、放大查看走原图档。\n\n> 影像为大都会艺术博物馆公有领域开放影像（CC0）；中文说明由本站按公开资料整理。","met-chinese-painting",{"en":376,"zh":377},"Night-Shining White","照夜白",{"alt":379,"src":381,"width":57,"height":56,"source":382,"caption":384},{"zh":380},"唐代《照夜白》：一匹系在木桩上的白马，四蹄腾跃、鬃毛飞扬","artifacts\u002Fmet-39901-night-shining-white.jpg",{"url":383,"license":21,"provider":60,"replaceBeforeLaunch":23},"https:\u002F\u002Fwww.metmuseum.org\u002Fart\u002Fcollection\u002Fsearch\u002F39901",{"zh":385},"传为韩干所作，大都会艺术博物馆藏 1977.78","唐",[6],{"zh":389},"中国书画里流传有序的样板：一匹被拴住的御马，脖颈扭向一侧、鼻孔大张。画面本身很小，题跋与鉴藏印却一路延伸到卷尾。",[391],{"zh":392},"照夜白图","书画",{"zh":395},"纸本墨笔，手卷","1977.78",{"zh":398},"约 750 年","画心 30.8 × 34 厘米","纸绢",{"id":402,"slug":95,"status":7,"body":403,"hall":9,"name":404,"cover":407,"museum":26,"dynasty":207,"related":417,"summary":418,"category":98,"featured":23,"material":420,"accession":421,"dateLabel":422,"dimensions":424,"materialType":107,"created_at":41,"updated_at":42},9,"## 与良渚那件的差别\n\n大都会藏的[良渚玉琮](\u002Fartifacts\u002Fliangzhu-cong)四角满是分层的神人兽面纹，这一件的四角几乎只剩几道横线与竖槽。形还在，纹没了——这通常被解释为：琮被沿用，但它原本承载的图像系统已经失传或不再被理解。\n\n## 为什么值得单独做一页\n\n本站一期最想验证的正是这种\"**并置阅读**\"。实体展厅里，良渚琮在新石器展厅、商代琮在商代展厅，隔着两栋楼；网页可以把它们放进同一个对照模块，用户一次滑动就能看出八百年与一千年的距离。\n\n> 影像与元数据来自克利夫兰艺术博物馆开放数据接口（CC0）；中文说明由本站按公开资料整理。",{"en":405,"zh":406},"Ceremonial Tube (Cong)","玉琮（商代）",{"alt":408,"src":410,"width":411,"height":412,"source":413,"caption":415},{"zh":409},"商代玉琮，方柱体外圆孔内，表面纹饰已明显简化","artifacts\u002Fcleveland-1915.630-cong.jpg",2468,3400,{"url":414,"license":21,"provider":22,"replaceBeforeLaunch":23},"https:\u002F\u002Fclevelandart.org\u002Fart\u002F1915.630",{"zh":416},"克利夫兰艺术博物馆藏 1915.630",[78],{"zh":419},"与良渚玉琮同形，但纹饰简化得多。把两件并排看，就能明白一种器形如何在失去原初信仰之后继续被制作。",{"zh":102},"1915.630",{"zh":423},"约公元前 1600–前 1046 年","通高 20.6 厘米",{"id":426,"slug":137,"status":7,"body":427,"hall":9,"name":428,"cover":431,"museum":26,"dynasty":207,"summary":441,"category":67,"featured":99,"material":443,"accession":445,"dateLabel":446,"dimensions":448,"materialType":75,"created_at":449,"updated_at":450},10,"## 看什么\n\n三只足撑起器身，口沿上立一对耳。商代晚期鼎的壁面通常分成若干区块，块内填**兽面纹（饕餮纹）**，以细密的云雷纹作地纹——这种\"主纹+地纹\"的双层装饰，是辨认商晚期青铜最快的视觉特征。\n\n## 它是做什么用的\n\n鼎最初是炊煮器，但在祭祀与宴飨的场合里，它的功能从\"煮肉\"转成了\"表明身份\"。同一座墓里出几件鼎、鼎的直径递不递减，考古学家据此判断墓主是几级贵族。\n\n## 顺带看一眼\n\n同一展厅的[青铜方彝](\u002Fartifacts\u002Fshang-fangyou)与[青铜尊](\u002Fartifacts\u002Fxizhou-fuwu-zun)：酒器成组出现，才是商周礼器组合的真实样子。\n\n> 影像与元数据来自克利夫兰艺术博物馆开放数据接口（CC0）；中文说明由本站按公开资料整理。",{"en":429,"zh":430},"Tripod Cauldron (Ding)","青铜鼎",{"alt":432,"src":435,"width":412,"height":436,"source":437,"caption":439},{"en":433,"zh":434},"A Shang dynasty bronze ding tripod cauldron with two upright handles","商代青铜鼎，三足、双立耳，器身饰兽面纹","artifacts\u002Fcleveland-1960.288-ding.jpg",3204,{"url":438,"license":21,"provider":22,"replaceBeforeLaunch":23},"https:\u002F\u002Fclevelandart.org\u002Fart\u002F1960.288",{"zh":440},"克利夫兰艺术博物馆藏，入藏号 1960.288",{"zh":442},"三足炊器，也是商周礼制里等级最高的一件。鼎的数量与大小直接对应身份，\"天子九鼎\"就是这么来的。",{"en":444,"zh":75},"bronze","1960.288",{"zh":447},"约公元前 1200–前 1100 年","通高 14.3 × 12.5 厘米","2026-10-08T08:00:28.000Z","2026-10-12T01:30:04.000Z",{"id":452,"slug":453,"status":7,"body":454,"hall":9,"name":455,"cover":458,"museum":26,"dynasty":207,"summary":467,"category":67,"featured":23,"material":469,"accession":470,"dateLabel":471,"dimensions":473,"materialType":75,"created_at":449,"updated_at":450},11,"shang-fangyou","## 看什么\n\n方彝的形状像一间缩小的房子：器身直壁、圈足，盖从两端斜收，盖上还有象首或鸟形的钮。把盖和器身的纹饰连起来看，会发现在中线处正好拼成一张完整的兽面——这是商周工匠常用的\"对称拆解\"手法。\n\n## 为什么酒器这么多\n\n商人祭祀用酒，酒器组合因此格外讲究：盛酒的彝、斟酒的尊与卣、饮酒的爵与觚各就各位。周人灭商后检讨\"殷亡于酒\"，酒器组合随之减少，方彝也在西周中期以后基本消失——一件器物的存废，背后是一整套观念的转向。\n\n> 影像与元数据来自克利夫兰艺术博物馆开放数据接口（CC0）；中文说明由本站按公开资料整理。",{"en":456,"zh":457},"Square Wine Container (Fangyou)","青铜方彝",{"alt":459,"src":461,"width":462,"height":412,"source":463,"caption":465},{"zh":460},"商代青铜方彝，带屋顶形盖的长方形盛酒器","artifacts\u002Fcleveland-1963.103-fangyou.jpg",2427,{"url":464,"license":21,"provider":22,"replaceBeforeLaunch":23},"https:\u002F\u002Fclevelandart.org\u002Fart\u002F1963.103",{"zh":466},"出土地一般认为在河南安阳，克利夫兰艺术博物馆藏 1963.103",{"zh":468},"长方形、带屋顶形盖的盛酒器。盖做得像一座小房子的屋顶，是方彝最好认的特征。",{"zh":75},"1963.103",{"zh":472},"约公元前 1250–前 1046 年","通高 26.7 × 13.4 厘米",{"id":475,"slug":209,"status":7,"body":476,"hall":9,"name":477,"cover":480,"museum":26,"dynasty":207,"summary":490,"category":67,"featured":23,"material":492,"accession":493,"dateLabel":494,"dimensions":496,"materialType":75,"created_at":449,"updated_at":450},12,"## 看什么\n\n口沿上那两根小柱子叫**柱**（或\"伞形柱\"），是斝区别于其他酒器的第一特征。其次是三足：足部常做成锥形或丁字形，比鼎足细长，因为要架在火上加热。\n\n## 它是做什么用的\n\n\"斝\"用于温酒——把酒倒进去，在足下生火，加热后倾出。它在礼器组合里与爵、觚搭配出现，三者常成套随葬。商代墓葬中，斝的数量有时和墓主等级直接相关。\n\n## 顺带看一眼\n\n同一展厅的[青铜鼎](\u002Fartifacts\u002Fshang-ding)与[青铜方彝](\u002Fartifacts\u002Fshang-fangyou)。注意看足：鼎足粗短承重，斝足细长受火，一眼就能分辨这件器物是煮的还是温的。\n\n> 影像与元数据来自克利夫兰艺术博物馆开放数据接口（CC0）；中文说明由本站按公开资料整理。",{"en":478,"zh":479},"Wine Vessel (Jia)","青铜斝",{"alt":481,"src":484,"width":485,"height":412,"source":486,"caption":488},{"en":482,"zh":483},"A Shang dynasty bronze jia wine vessel with two upright posts on the rim","商代青铜斝，三足、口沿立双柱，器身饰兽面纹","artifacts\u002Fcleveland-2005.54-jia.jpg",2149,{"url":487,"license":21,"provider":22,"replaceBeforeLaunch":23},"https:\u002F\u002Fclevelandart.org\u002Fart\u002F2005.54",{"zh":489},"克利夫兰艺术博物馆藏，入藏号 2005.54",{"zh":491},"温酒器。口径大、三足高、口沿立两柱——这三件套是斝的标准配置。商代安阳期的斝往往做到半米高，是青铜酒器群里体量最大的几种之一。",{"en":444,"zh":75},"2005.54",{"zh":495},"约公元前 1250–前 1046 年（安阳期）","通高 50.8 厘米",{"id":498,"slug":267,"status":7,"body":499,"hall":47,"name":500,"cover":503,"museum":63,"dynasty":207,"summary":514,"category":67,"featured":23,"material":516,"accession":517,"dateLabel":518,"dimensions":520,"materialType":75,"created_at":449,"updated_at":450},13,"## 看什么\n\n普通鼎的足是实心的柱状；这件的足是中空的袋状，向上与器身融合，三条袋腹之间的接缝就是\"裆\"。**袋足 = 鬲（lì）**，鼎 + 鬲 = 鬲鼎。判断顺序很简单：先看足是不是鼓包，再看口沿上有没有耳。\n\n## 为什么这样设计\n\n袋状足扩大了受火面积，也增加了容积——本质是炊器。但到了商晚期，它被从灶台搬进了祭坛，形制保留、功能变成身份标识。这类\"实用器礼制化\"的例子在青铜组里特别多。\n\n## 顺带看一眼\n\n同厅的[青铜鼎](\u002Fartifacts\u002Fshang-ding)（实心柱足的常规款）和[青铜斝](\u002Fartifacts\u002Fshang-jia)（体量更大的盛酒器），三件并排看能一眼分辨足制差异。\n\n> 影像与元数据来自大都会艺术博物馆开放数据接口（CC0）；中文说明由本站按公开资料整理。",{"en":501,"zh":502},"Lobed Tripod Cauldron (Liding)","分裆鼎（鬲鼎）",{"alt":504,"src":507,"width":508,"height":509,"source":510,"caption":512},{"en":505,"zh":506},"A Shang dynasty lobed tripod cauldron with inflated bag-shaped 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Amsterdam",{"id":5,"slug":718,"status":7,"url":719,"body":720,"city":721,"name":722,"type":603,"cover":725,"order":109,"country":628,"founded":735,"summary":736,"featured":23,"location":738,"visiting":741,"created_at":640,"updated_at":685},"chicago","https:\u002F\u002Fwww.artic.edu","## 本站为什么收它\n\n它是\"世界艺术\"这条线的补齐项：一期主线是中国古代文物，但只做青铜玉器会让首页显得偏科，印象派与美国写实绘画是必要的平衡。\n\n## 取材限制（已实测）\n\n数据接口免 Key、约 13.3 万条、标注 CC0；但图片走 IIIF，域名对脚本请求返回 **403**，需要伪装浏览器 UA 或人工下载。这一条决定了它不能进自动化流水线，所以一期的藏品内容只从 Met 与克利夫兰两家取，本馆先做门面页。\n\n## 上线前\n\n外观图为 CC BY-SA，必须替换（详见 `docs\u002F素材待替换清单.md`）。","芝加哥",{"en":723,"zh":724},"Art Institute of Chicago","芝加哥艺术博物馆",{"alt":726,"src":728,"width":119,"height":656,"source":729,"caption":733},{"zh":727},"芝加哥艺术博物馆正立面与门前的铜狮","museums\u002Fchicago.jpg",{"url":730,"note":731,"license":614,"provider":732,"replaceBeforeLaunch":99},"https:\u002F\u002Fcommons.wikimedia.org\u002Fwiki\u002FFile:20070622_Art_Institute_of_Chicago_Front_View.JPG","CC BY-SA 要求署名且衍生图同许可共享，商用站上线前需替换","Wikimedia Commons（User:TonyTheTiger）",{"zh":734},"密歇根大道与亚当斯街路口，铜狮是这座馆的门面标志",1879,{"en":675,"zh":737},"美国规模最大的艺术博物馆之一，以印象派与美国绘画著称，同时有相当规模的中国古代雕塑与书画收藏。开放数据接口标注 CC0，但图片域名对非浏览器请求返回 403。",{"lat":739,"lng":740},41.879444,-87.623889,{"address":742},{"zh":743},"111 S Michigan Ave, Chicago, IL 60603",{"id":109,"slug":132,"status":7,"url":745,"body":746,"city":747,"name":748,"type":603,"cover":751,"order":189,"country":628,"founded":763,"summary":764,"featured":23,"location":766,"visiting":769,"created_at":640,"updated_at":685},"https:\u002F\u002Fnew.artsmia.org","## 本站为什么收它\n\n一句话：**它是目前唯一能看到\"中国青铜器真文物 3D\"的开放来源**。其他四家给的都是影像，只有它把器物扫成了模型。\n\n## 需要提醒你的一个变化\n\n原计划认为它的 Sketchfab 通道已经核实可用，但本轮实测发现 Sketchfab v3 搜索接口的 `q` 参数被忽略（换任何关键词都返回同一批最新模型），按用户名的取模型接口也返 0 条。**这条通道要在阶段 2 开工前重新验证**，详细记录见 `docs\u002F素材待替换清单.md` 第三节。\n\n它的开放数据 API（`api.artsmia.org`）从国内网络连不通，所以一期的内容仍然只有门面页。","明尼阿波利斯",{"en":749,"zh":750},"Minneapolis Institute of Art","明尼阿波利斯艺术博物馆",{"alt":752,"src":754,"width":119,"height":755,"source":756,"caption":761},{"zh":753},"明尼阿波利斯艺术博物馆的新古典主义立面","museums\u002Fminneapolis.jpg",1282,{"url":757,"note":758,"license":759,"provider":760,"replaceBeforeLaunch":99},"https:\u002F\u002Fcommons.wikimedia.org\u002Fwiki\u002FFile:Neo-Classical_-_Minneapolis,_MN_-_Minneapolis_Institute_of_Art_(1).jpg","CC BY 可商用但必须署名，上线前统一替换","cc-by","Wikimedia Commons（Bmzuckerman）",{"zh":762},"华盛顿大道入口的柱廊，是这座馆最常被拍摄的一面",1910,{"en":675,"zh":765},"美国中西部规模最大的艺术博物馆之一，中国藏品的密度出人意料地高。它把一批商周青铜器扫描成 3D 模型发布在 Sketchfab 上，是本站阶段 2\"真文物 3D\"最现实的来源。",{"lat":767,"lng":768},44.958611,-93.274167,{"ticket":770,"address":772},{"zh":771},"常设展免费入场",{"zh":773},"2400 3rd Ave S, Minneapolis, MN 55404",[775,814,827,841,890],{"id":5,"slug":9,"status":7,"body":776,"name":777,"cover":780,"floor":788,"order":5,"museum":26,"summary":789,"panorama":791,"created_at":41,"updated_at":813},"## 这一厅有什么\n\n按本站的收录顺序，这一厅放的是克利夫兰的**商周青铜器与早期玉器**：鼎、方彝、尊、斝、琮、璧。它们大多来自 20 世纪上半叶的几次重要入藏，器物等级高、且馆方已把影像以 CC0 释出——这是本站优先收它的直接原因。\n\n## 怎么看\n\n青铜器看三件事：足制（炊器 \u002F 酒器）、纹饰层次（主纹 + 地纹）、铭文有无。玉器看两件事：器形与沁色。想快速建立手感，先看[青铜鼎](\u002Fartifacts\u002Fshang-ding)，再对比[青铜斝](\u002Fartifacts\u002Fshang-jia)的细长足。\n\n> 本厅尚未接入全景漫游。影像与元数据来自克利夫兰艺术博物馆开放数据接口（CC0）。",{"en":778,"zh":779},"Chinese Art Galleries","中国艺术展厅",{"alt":781,"src":435,"width":412,"height":436,"source":784,"caption":786},{"en":782,"zh":783},"Shang dynasty bronze ding, a highlight of the Cleveland Chinese art galleries","商代青铜鼎，克利夫兰中国艺术展厅的代表藏品",{"url":438,"note":785,"license":21,"provider":22,"replaceBeforeLaunch":23},"本图为馆藏文物影像，非展厅实拍；展厅实拍图上线前补拍替换",{"zh":787},"暂以代表藏品影像占位；上线前替换为展厅实拍","一层",{"zh":790},"克利夫兰的中国收藏以青铜器与玉器见长，展厅围绕一座明代风格的中式庭院布置。本站的青铜与玉器条目都归在这一厅下。",{"src":792,"plan":793,"view":796,"exits":798,"points":804,"source":811},"image\u002F1792138848147-5eea7e7a.jpg",{"x":794,"y":795},600,403,{"yaw":797,"pitch":797},0,[799],{"to":47,"yaw":800,"label":801,"pitch":803},90,{"zh":802},"前进",-20,[805],{"yaw":806,"note":807,"pitch":809,"artifact":810},180,{"zh":808},"这是一个文物",20,"met-42173-gu",{"license":21,"provider":812},"F","2026-10-16T08:25:36.000Z",{"id":44,"slug":47,"status":7,"body":815,"name":816,"cover":819,"floor":788,"order":44,"museum":63,"summary":825,"created_at":41,"updated_at":42},"## 这一厅有什么\n\n[青铜觚](\u002Fartifacts\u002Fxizhou-gu)（商代酒器）、[良渚玉琮](\u002Fartifacts\u002Fliangzhu-cong)（新石器时代）、[分裆鼎](\u002Fartifacts\u002Fshang-liding)（商代）、[错铜纹壶](\u002Fartifacts\u002Feastern-zhou-hu)（东周）。\n\n## 怎么看\n\n大都会的中国青铜器展陈强调**功能分组**：炊器、酒器、水器各自成组。逛的时候可以按这个逻辑走——先认出\"它是做什么用的\"，再看装饰。相反，玉器看的是\"它是给谁用的\"：琮与璧都是礼器，几乎不出现在日常生活里。\n\n> 本厅尚未接入全景漫游。影像与元数据来自大都会艺术博物馆开放数据接口（CC0）。",{"en":817,"zh":818},"Asian Art Galleries","亚洲艺术展厅",{"alt":820,"src":579,"width":580,"height":88,"source":823,"caption":824},{"en":821,"zh":822},"A Shang dynasty bronze gu beaker from the Met's Asian art galleries","商代青铜觚，大都会亚洲艺术展厅的代表藏品",{"url":582,"note":785,"license":21,"provider":60,"replaceBeforeLaunch":23},{"zh":787},{"zh":826},"大都会的亚洲艺术部藏品跨度极大，本站只取其中国青铜与玉器的一小段：从商代礼器到良渚玉琮。影像全部出自馆方 CC0 开放数据。",{"id":77,"slug":374,"status":7,"body":828,"name":829,"cover":832,"floor":838,"order":77,"museum":63,"summary":839,"created_at":41,"updated_at":42},"## 这一厅有什么\n\n目前只收了[《照夜白图》](\u002Fartifacts\u002Fnight-shining-white)：唐代韩干画的一匹系在马桩上的骏马。它是本站收录的第一件纸本 \u002F 绢本绘画，也是\"为什么必须做高清大图\"的最好例子——真迹尺幅不大，细节全在线条里。\n\n## 怎么看\n\n书画类目和器物类不同：材质脆弱，长期展出的时间有限，很多时间是收在库房里的。看数字化影像时，重点放在**纸绢的肌理、墨色的干湿浓淡、以及题跋与印章的层叠**——这些在现场隔着展柜也未必看得清。\n\n> 本厅尚未接入全景漫游。影像与元数据来自大都会艺术博物馆开放数据接口（CC0）。",{"en":830,"zh":831},"Chinese Painting Galleries","中国书画展厅",{"alt":833,"src":381,"width":57,"height":56,"source":836,"caption":837},{"en":834,"zh":835},"Night-Shining White by Han Gan, a highlight of the Met's Chinese painting galleries","唐代韩干《照夜白图》，大都会中国书画展厅代表藏品",{"url":383,"note":785,"license":21,"provider":60,"replaceBeforeLaunch":23},{"zh":787},"二层",{"zh":840},"大都会的中国书画藏品以唐、宋、元真迹见称。书画对光线极敏感，展陈常采取轮换与低照度，这一厅在本站先放一件——韩干《照夜白图》。",{"id":189,"slug":842,"status":7,"body":843,"name":844,"cover":847,"floor":859,"order":109,"museum":26,"summary":860,"panorama":862,"created_at":41,"updated_at":889},"panorama-demo","## 这一厅是干什么的\n\n本站的展厅页从这里开始接入全景漫游。为了让技术方案不被素材卡住——图像尺寸、加载体积、移动端性能——这里先挂一张公开授权的**等距柱状投影**（equirectangular）照片。\n\n它的拍摄地是意大利的 Esino Lario 博物馆，与本站收录的任何一家馆无关。**上线前必须换成合作馆方的授权实拍**，否则本厅整页下线。\n\n## 怎么逛\n\n- **环顾**：按住拖动，或直接在触屏上滑动；手机横屏视野最好；\n- **缩放**：滚轮或双指捏合；\n- **换厅**：脚下有箭头的方向就是相邻展厅，顺着箭头走（点击箭头或把视线转过去）会平滑过渡到下一场景；\n- **看展品**：画面里的朱砂色编号圆点对应旁边的展品清单，点击弹出卡片可跳转详情；\n- **小地图**：右下角平面图上的指针是当前朝向，箭头是从演示平面图（自绘示意图，非真实馆舍）上取的坐标。\n\n演示点位与箭头角度都是占位值——真图替换后按实际展陈重新标注。\n\n## 为什么一张全景也要登记来源\n\n全景文件通常比普通照片大得多：这张原图 9728×4864、约 9.4 MB。它以 3840px 档存入 OSS，由图片处理参数按端下发。授权是 CC BY-SA，属于\"必须替换\"级别——在素材清单里它和博物馆外观图一起，列为上线前的硬闸门。\n\n> 影像来自 Wikimedia Commons（Cmglee，CC BY-SA 4.0）；本站仅作开发阶段技术演示使用。",{"en":845,"zh":846},"Panorama Demo Hall","全景漫游演示厅",{"alt":848,"src":851,"width":852,"height":119,"source":853,"caption":857},{"en":849,"zh":850},"An equirectangular 360-degree interior photosphere of a museum","等距柱状投影的博物馆室内 360 度全景图","panoramas\u002Fesino-lario-museum-3840.jpg",3840,{"url":854,"note":855,"license":614,"provider":856,"replaceBeforeLaunch":99},"https:\u002F\u002Fcommons.wikimedia.org\u002Fwiki\u002FFile:Cmglee_Wikimania2016_Esino_Lario_museum_interior_photosphere.jpg","技术演示用素材，上线前必须替换为本馆授权实拍全景","Wikimedia Commons（Cmglee）",{"zh":858},"演示用全景，拍摄于意大利 Esino Lario 博物馆，非克利夫兰实景","一层（演示）",{"zh":861},"阶段 3 的全景漫游先在这里跑通技术链路：一张等距柱状投影照片 + 全景查看器。当前这张图与本站收录的博物馆都无关，纯作演示。",{"src":851,"plan":863,"view":865,"exits":867,"points":875,"source":888,"thumbnail":851},{"x":864,"y":806},215,{"yaw":797,"pitch":866},-5,[868],{"to":869,"yaw":870,"label":871,"pitch":874},"panorama-demo-science",265,{"en":872,"zh":873},"The adjacent science gallery","相邻的科技展厅",-8,[876,880,885],{"yaw":877,"note":878,"pitch":874,"artifact":137},32,{"zh":879},"演示点位：正式上线后，这个角度会是青铜鼎展柜的方位。",{"yaw":881,"note":882,"pitch":884,"artifact":453},108,{"zh":883},"演示点位：与鼎同厅陈列的方彝，同样只是角度占位。",-6,{"yaw":886,"pitch":887,"artifact":335},172,-10,{"url":854,"note":855,"license":614,"provider":856,"replaceBeforeLaunch":99},"2026-10-12T04:54:05.000Z",{"id":109,"slug":869,"status":7,"body":891,"name":892,"cover":895,"floor":905,"order":189,"museum":26,"summary":906,"panorama":908,"created_at":41,"updated_at":42},"## 巡游的第二站\n\n这一厅是为了验证「多场景」而存在的：它和[全景漫游演示厅](\u002Fpanoramas\u002Fpanorama-demo)互设入口箭头，点击箭头或顺着箭头方向把视线转过去，就会平滑过渡到另一间房子——这正是虚拟巡游（virtual tour）在真实展馆里的用法：一间屋子看向门洞，走过去，进入下一间。\n\n## 素材说明\n\n照片拍摄于印度加尔各答科学城的「新兴科技展廊」，原图 11536×5768、恰为 2:1 的等距柱状投影。授权 CC BY 3.0（Biswarup Ganguly），同样属于**上线前必须替换**级别。\n\n它与演示厅一来自不同作者、不同馆舍、不同长宽比，正好覆盖多场景下的两类边界：图源尺寸不一时的档位适配，以及换厅过渡时的纹理替换。\n\n> 影像来自 Wikimedia Commons（Biswarup Ganguly，CC BY 3.0）；本站仅作开发阶段技术演示使用。",{"en":893,"zh":894},"Science Exploration Hall (demo)","科学探索厅（演示）",{"alt":896,"src":899,"width":852,"height":119,"source":900,"caption":903},{"en":897,"zh":898},"A 360-degree view of the Emerging Technologies Gallery, Science City Kolkata","印度加尔各答科学城「新兴科技展廊」的 360 度全景","panoramas\u002Fkolkata-science-hall-3840.jpg",{"url":901,"note":855,"license":759,"provider":902,"replaceBeforeLaunch":99},"https:\u002F\u002Fcommons.wikimedia.org\u002Fwiki\u002FFile:Emerging_Technologies_Gallery_-_360x180_Degree_Equirectangular_View_-_Science_Exploration_Hall_-_Science_City_-_Kolkata_2016-02-23_0570-0578.tif","Wikimedia Commons（Biswarup Ganguly）",{"zh":904},"演示用全景，拍摄于印度加尔各答科学城，非克利夫兰实景","二层（演示）",{"zh":907},"巡游演示的第二个场景，用来验证多展厅切换：两张全景互设入口箭头，跟箭头走会在场景之间平滑过渡。",{"src":899,"plan":909,"view":911,"exits":913,"points":919,"source":928,"thumbnail":899},{"x":910,"y":806},530,{"yaw":797,"pitch":912},-4,[914],{"to":842,"yaw":915,"label":916,"pitch":874},100,{"en":917,"zh":918},"Back to the museum atrium","返回博物馆中庭",[920,925],{"yaw":921,"note":922,"pitch":924,"artifact":209},58,{"zh":923},"演示点位：与邻近展厅的器物交叉引用，验证热点卡片在不同场景中的表现。",-7,{"yaw":926,"pitch":927,"artifact":29},300,-9,{"url":901,"note":855,"license":759,"provider":902,"replaceBeforeLaunch":99}]